Review: “Rent” Returns to The Bushnell

Logan Farine in the Rent 20th Anniversary Tour. Photo: Carol Rosegg

by Mark G. Auerbach

When Rent, which first workshopped in New York some 25 years ago, caught on, it changed the shape of the modern Broadway musical. Adapted by Jonathan Larson, it took the beloved characters and themes of Puccini’s La Boheme, moved them to the East Village in the then present-day, and changed Broadway and its audiences. The characters of Puccini’s La Boheme, were updated from starving artists who find love at first light in the streets of Paris, to starving artists and outcasts, some gay, some in drag, some HIV+, and all of them trying to find their place in life in “La Vie Boheme”.Rent picked up a slew of awards from The Pulitzer to the Tony Awards, and fueled a public relations hysteria, with “Rent Heads” lining up in front of the theatres in hopes of a ticket, to stories of the backstage tragedy, where creator Jonathan Larson died tragically young, days before opening night.

(L to R) Logan Marks, Lencia Kebede in the Rent 20th Anniversary Tour. Photo: Carol Rosegg

Rent gave us an anthem turned stanard, “Seasons of Love” and its cast of unknwons became mainstays in theatre. Wicked’s Idina Menzel and Law & Order’s Jesse L Martin are alums. So is Taye Diggs, Adam Pascal and Anthony Rapp. Lin-Manuel Miranda of Hamilton fame says he was inspired by Rent, and of course, Hamilton became the next Broadway hit to appeal to all generations.

I saw Rent on Broadway, but skipped the movie and the recent live TV version, so I was interested in seeing how the show holds up 2+ decades later. As the years have passed, I’ve become enamored with its source, Puccini’s opera, and I realize Larson’s genius in rethinking one classic and turning it into another, complete with the occasional strains of “Musetta’s Waltz”. Rent’s score is more than “Seasons of Love”…”Take Me or Leave Me” and “Over The Moon” are powerful.

The Company of the Rent 20th Anniversary Tour. Photo: Carol Rosegg

Evan Ensign’s staging enhances Michael Greif’s original direction, and Marlies Yearby has created some fine dancing. The physical production has rich sets by Paul Clay, great costumes by Angela Wendt, and superlative lighting byJonathan Spencer. Keith Caffiano’s sound design is ear shattering, yet when it quiets down for “Seasons of Love” is perfect.

Like the Broadway show, this ensemble, all first rate, are unknowns, but there are some superb performances, especially Javon King as Angel, Lencia Kebide as Joanne, and Lyndie Moe as Maureen.

There were a lot of young people in the audience, and Rent got a well-deserved standing ovation at the curtain call. Enroute home, I realized that Rent creator Jonathan Larson, had he lived, would be 58 today. What other masterworks might he have created? And, would have have been astounded by Rent’s success then and now?


The Bushnell presents Rent.: The 20th Anniversary Tour Book, music and lurics by Jonathan Larson. Directed by Evan Ensigh, based on the original by Michael Greif. Musical direction by Matthew DeMaria. Choreography by Marlies Yearby.  Set design by Paul Clay; Costume Design by Angela Wendt; Lighting Design by Jonathan Spencer; Sound Design by Keith Caffiano; . Through March 17  at The Bushnell, Hartford, CT. 860-987-5900 or www.bushnell.org.

Mark G. Auerbach studied theatre at American University and the Yale School of Drama. He’s worked for arts organizations and reported on theatre for newspapers and radio. Mark produces and hosts ArtsBeat Radio on 89.5fm/WSKB Radio.

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