by Mark G. Auerbach
“Cabaret” Comes to the UMass Fine Arts Center
The award-winning Roundabout Theatre production of the famous musical Cabaret comes to the UMass Fine Arts Center for one performance on March 6.
Cabaret , the1966 musical with music and lyrics by John Kander and Fred Ebb, and book by Joe Masteroff, was based on John Van Druten’s 1951 play I Am a Camera, which was adapted from Christopher Isherwood’s Goodbye to Berlin Set in 1931 Berlin as the Nazis are rising to power, it focuses on the nightlife at the seedy Kit Kat Klub, and revolves around young American writer Cliff Bradshaw and his relationship with 19-year-old English cabaret performer Sally Bowles.
Cabaret was a big hit in its day, turning Kander and Ebb into major Broadway composers and lyricists. Their musical Chicago has been running on Broadway for decades. Cabaret brought Kurt Weill’s muse Lotte Lenya back to Broadway, made a star of Joel Grey, and was a major success for producer/director Harold Prince. The show had a long Broadway run, opened in London with Judi Dench as Sally Bowles, and later headed for Hollywood.
Legendary Broadway director and choreographer Bob Fosse helmed the film version. He used different characters from Isherwood’s novella; had Kander and Ebb write many new tunes for the film. He made Sally Bowles an American, cast Liza Minnelli as Sally, and Cabaret became one of the finest film musicals ever produced.
The British director Sam Mendes reimagined Cabaret for a London revival in 1993, which opened in New York with Alan Cumming in the emcee role created originally by Joel Grey.
The Roudabout revived this production four years ago, and it will fill the Fine Arts Center with some now standard showtunes, from “Wilkommen” to “Two Ladies” to the title song.
Raging Skillet, Jacques Lamarre’s funny portrait of celebrity Chef Rossi, last summer’s TheaterWorks hit, is headed to New York. Jewish Plays Project will produce a staged reading with Judy Gold playing Chef Rossi and Marilyn Sokol reprising her role as Rossi’s mother. The performance on March 28 will be a benefit for the Jewish Plays Project’s 7th OPEN: Festival of New Jewish Theater. For details: www.jewishplaysproject.org/skillet
Keep in Mind…
Arts Beat Radio talks with Tony Award-winning costume designer William Ivery Long, who created the costumes for Hartford Stage’s Murder on the Orient Express and the Roundabout production of Cabaret enroute to te UMass Fine Arts Center. WWLP’s Brian Lapis previews The Big Broadcast! coming to Mount Holyoke. Tune in Wednesday, February 21 at 9AM on 89.5FM/WSKB. Tune in live on the airwaves, on Comcast ch. 15, or www.wskb.org
The Hartford Symphony Orchestra presents the second concert in the
HSO: Intermix Series, Alleged Dances, on February 22 at Onyx Spirits Company in East Hartford. Alleged Dances, led by HSO Music Director, Carolyn Kuan, highlights the undeniable connection between music and dance, and features an innovative mix of contemporary and classical: Aaron Jay Kernis’ 100 Greatest Dance Hits (which has been described as a “classical dance party”), John Adams’ charged John’s Book of Alleged Dances, and Tchaikovsky’s eloquent String Quartet No. 1.For details: 860-987-5900 or www.hartfordsymphony.org.
The Message, a powerhouse of a jazz concert honoring the hard-bop jazz of Art Blakey and The Jazz Messengers, comes to Bowker Auditorium on the UMass/Amherst campus on February 22. Six members— Donald Harrison Jr. (saxophone), Billy Pierce (saxophone), Brian Lynch (trumpet), Carl Allen (percussion), Essiet Essiet (bass), and Zaccai Curtis (piano)—come together to revisit Blakey’s swinging, hard-bop tradition, with a focus on Jazz Messengers pieces but also playing original compositions that respect the band’s roots. For details:413-545-2511, 800-999-UMAS, or www.fineartscenter.com/message.
The Crucible, Arthur Miller’s Tony Award-winning classic, about mass hysteria in Salem, Massachusetts in1692, as citizens are accused of witchcraft, is next at Connecticut Repertory Theatre, with performances February 22-March 4 at the Nafe Katter Theatre on UConn’s Storrs campus. Paul Mullins directs. The production stars Broadway and Regional theatre veterans James Sutorius as Danforth and Michael Rudko as Giles Corey). Sutorius appeared on Broadway in The Farnsworth Invention, Conversations with My Father, and The Changing Room. Rudko has appeared on Broadway in Serious Money and The Best Man. For details: 860-486-2113 or www.crt.uconn.edu.
Billy Budd in the Breadbox, Travis Daly’s adaptation of Berkhires writer Jana Laiz’s story, plays The Garage at The Colonial Theatre in Pittsfield, MA February 18-24. Produced by Berkshire Theatre Group, as part of the 10×10 Upstreet Arts Festival. Billy Budd in the Breadbox is a play for young audiences about Herman Melville, author of Moby Dick, who was a one-time resident of the Berkshires, and the play features stories about local Berkshire history including Arrowhead, Mt. Greylock, and Monument Mountain. Daly directs. For details: 413-997-4444 or www.berkshiretheatergroup.org.
The Wolves, Sarah DeLappe’s groundbreaking play about a high school girls’ soccer team, is on the playlist of theatres across the country. It was the season opener at Hartford’s TheaterWorks. Now, Chester Theatre’s Daniel Elihu Kramer stages a production at Smith College in Northampton on February 23-March 3. For details: 413-585-ARTS or www.smith.edu/smitharts
Lovers’ Spat, hosted byAlison Larkin, explore the complexities of love in staged readings featuring theatre’s most notorious couples’ loving, fighting, scheming and wooing. Shakespeare and Company brings its production, staged by Allyn Burrows to Lenox on February 17-18. For details: 413-637-3353 or www.shakespeare.org.
Mark G. Auerbach studied theatre at American University and the Yale School of Drama. He’s worked for arts organizations and reported on theatre for newspapers and radio. Mark produces and hosts ArtsBeat Radio for 89.5fm/WSKB.